Monday 28 June 2010

Why Karate?

One question I have been asked by so many people over the years, and many times recently, is “Why do you do practice karate?” This is especially the case, here in Japan, as Japanese people are often surprised that I do a traditional Japanese martial art.
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On the subject of sports rather than budo, coming from “consistently” the strongest rugby province in New Zealand (Canterbury), and the nation of the All-Blacks, it must seem certain that growing up would automatically include the acquisition of ‘cauliflower ears’. Fortunately for me, and my ears, my mother put me into Shotokan karate at five years old for my discipline. Why? Because she was rightfully impressed by Japanese reigi-saho (etiquette) and the physical balance of karate (as an unparalleled physical art and means of self-defense). So as it turned out, I found myself in the dojo engaging in jiyu-kumite, as opposed to tackling people, or being in a scrum.
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THE REAL QUESTION! “Why are you still doing Shotokan karate well into your 30’s?” Here are the first six points which immediately come to mind. These are the core things that have kept me motivated for three decades, and continue to do so:
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(1) Youthful looks and range of motion/flexibility: Karate training keeps people young looking and allows them to improve their suppleness. This results in flexible movement throughout life, which also combats "stiffening up at the hinges so to speak". I don’t know about you but I like looking young and hope to be moving like Asai Sensei when he was 70!
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(2) Sculpted muscles and physical strength: Karate strengthens and beautifully tones the entire body in a balanced and systematic manner. Whilst you won’t ‘bulk up’ or start looking like a bodybuilder, with consistent training, your body is tightened and chiseled. Thus you look, and feel better. The strength that you gain is karate specific, enabling you to effectively apply your techniques. Call it vanity, but keeping in good shape is highly motivational (if you don't already, tap into this 'energy' to motivate yourself). One’s technical skill and physique reflects their training. Proper karate will get, and keep you in good shape, and if it doesn’t, it is lacking the physical intensity needed to be an effective martial art.
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(3) Effective self-defense regardless of size: Karate is ideal for everyone who wishes to develop effective self-defense skills. This is because it utilizes highly refined techniques, as opposed to merely applying brute force (or requiring practitioners to be physically big or to “become fighters”). This comes from the fact that fundamental Shotokan uses the power of the entire body, in particular that of the waist/hips (maximum horizontal torque) and the legs (maximum vertical compression). Wasted motion is eradicated, therefore, “all of this collective power goes in” and king-hits on the opponent. This is the physical trademark of authentic Shotokan karate technique, which is known as “ichigeki-hissatsu” (to finish the adversary with a single blow).
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(4) Mental well-being: Karate combats psychological problems such as stress, anxiety and depression. By practicing karate, people’s self-esteem is greatly enhanced, and therefore they do better in their daily lives. Related to this is the fact that training also results in increased physical energy, enhanced concentration and better sleeping patterns.
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(5) The combination of fitness and art form: Karate is not merely exercise, it is also a traditional Japanese art form, which requires a lifetime of study to perfect. This means that the body (movement and breathing) and mind are completely engaged, and therefore it never becomes boring. Trying my best to perfect kihon (the fundamentals) and kata (formal exercises) is a never ending challenge. This by itself is extremely motivational.
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(6) Lifetime activity: You can train all of your life in karate and keep physically improving yourself!” Compare this to say rugby, football, gymnastics and other physical activities. A great example of this is my late teacher Shuseki Shihan Tetsuhiko Asai, who reached his physical peak in his late 60’s!
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One word which comes to mind about Karate-Do is HARMONY. Karate as an activity is all about the harmony of physical movement, breathing and self-control of the mind. These elements can be used for the bettering of the individual, both physically and mentally, whilst perfecting a powerful martial art of self-defense. So I reply, to anyone who asks me “Why do you practice karate?” by politely asking “Why don’t you!?”

© André Bertel, Japan (2010).

Thursday 24 June 2010

Hangetsu, Jitte & Gankaku

My late karate teacher Tetsuhiko Asai Sensei referred to Bassai (Dai), Kanku (Dai), Empi, Jion, Jitte, Hangetsu and Gankaku as "The Seven Core Shotokan Kata".
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Today rather than also talking about "The Big Four", which I have done numerous times before, I'd like to comment on Hangetsu, Jitte and Gankaku, which were covered extensively in a special practice today. I will also add some pointers on these three kata I learned from Asai Sensei.
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Hangetsu (Half Moon): The original name of the kata is Seishan, however like many other kata, it was renamed by Funakoshi Sensei in mainland Nihongo to describe its footwork and techniques which are predominantly circular. Hangetsu masters the coordination of technique, leg movements and breathing, and has many excellent close range applications. One point, which Asai Sensei stressed, was that "The breathing in the Nihon Karate Kyokai (J.K.A) Hangetsu must not be audible like that of the Naha-te Sanchin, it must be deep and undetectable." On at least two occasions I saw Asai Sensei fail dan examinees as they used Goju-ryu styled 'ibuki' breathing. One of these times he said to the examinee in question "You... You are Darth Vadar". Needless to say, many people in attendance had trouble not laughing.

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Jitte (Ten Hands): The name Jitte is often said to have come from the legend, that if done correctly, this kata has the strength of ten men. Asai Sensei said "the real meaning of Jitte is that there are ten practical fighting applications within this kata. But all of these use the body heavily but with the limbs light". Technically, of particular importance is the use of the hips to generate power with the torso as a single unit. Jitte is characterized by it boldness and is best suited 'application-wise' for a person who has a solid physique. The karateka who comes to mind, with a wonderful Jitte, is Imura Takenori Sensei of the Japan Karate Association.
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Gankaku (Crane on a rock): The original name of this kata was Chinto, apparently the name of master who created this formal exercise. Allegedly Funakoshi Sensei selected this name, as the sequences of standing balanced on one leg 'resemble a crane on a rock'. As Masatoshi Nakayama Sensei explained, the nucleus of this kata is the simultaneous use of uraken yokomawashi uchi and yoko keage, which is very useful for discovering "mixed use of snapping and thrusting techniques". Asai Tetsuhiko Sensei was infuriated by the changing of yoko keage to yoko kekomi (amongst many sports karate competitors). His belief was that the yoko keage in Gankaku was a refined/improved side kick from the original (which was a mae geri to the side, still found in many styles today). He explained that "the yoko keage means you kick the opponents testicals, who is next you without having to turn your body at all. The upward trajectory of yoko keage, and the distancing with this kick, means that uraken uchi can easily be used offensively or defensively."

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Like all other advanced kata, Hangetsu, Jitte and Gankaku each require a life time to master. But clearly this life time of practice means more than an empty shell of precise movements and athleticism. As Asai Sensei stressed "Kata is for actual self-defense and must be studied for this, then drilled in kumite". This was the bujutsu (martial art) karate, which he dedicated his life to passing on. Today when we practiced these kata, I thought about the depth of these words, and remembered his renditions of each of them, move-for-move, and his no-nonsense bunkai/oyo-jutsu. I will keep all of these things in my mind and strive to perhaps one day get somewhere close. Regardless of whether I can do this, or not, it is a target which is inspirational. - OSU!

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© André Bertel, Japan (2010).

Saturday 19 June 2010

The 3rd Anniversary of Andre Bertel's Karate-Do

Three years ago today I started this karate training blog and published my first post. Since that time I've been honored to have well over 660,000 visitors, and literally thousands of emails from around the world. I thought for this third anniversary of my blog, that I would share one from last week with you.
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"Dear Andre Sensei, the written content on your blog has been very useful for our training. Your blog is not only talk, as it is backed by the combination of photographs and video footage. It is the very best karate website on the Internet and your skill level truly reflects your in depth training under Shihan Asai. We hope that you continue to produce articles."
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Such comments I receive every day, and I sincerely appreciate them. I'd like to thank everyone who has visited my dojo here in Oita-ken over the last three years, contacted me via email and other means, attended my classes or seminars (here in Japan, New Zealand, or in other countries, such as Germany and Italy, where I taught earlier this year), and also to those who have supported me over the last three decades of Shotokan karate training, in particular my long time students and colleagues in Christchurch City New Zealand, seniors, family and friends. Domo arigato gozaimashita!
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Best wishes from Oita City, Japan.
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© André Bertel, Japan (2010).

High humidity here in Japan

Today concludes an intensive week of karate training which has really pushed my body to the limit. The high humidity here in Japan has not helped, but on the bright side, junbi-undo (preparatory exercises/warming) up has been effortless.
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My 'current set schedule' was traditionally broken to deal with several re-emerging technical weaknesses in my skills, and more importantly, to ensure my physical ability to apply these skills in reality. This resulted in the staunch practice of several kata I haven't worked on for a while. Kumite-wise, we've utilised gohon-kumite variations, which were formulated by Asai Sensei as stepping stones for oyo-kumite. For kihon training, simply high repetitions of the three core 'linear attacks' of standard JKA (Japan Karate Association) Shotokan. Anyway, here's what the week has included.
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KIHON: Oi-zuki, gyaku zuki, zenshin mae geri. Three sets of 50 repetitions of hidari and migi oi-zuki seperately (stationary gyaku zuki and oi-zuki alternatively 'compressing and thrusting forward' from heiko-dachi). Zenshin mae geri one hundred times up and down the dojo (emphasis on maintenance of 'perfect posture' whilst properly raising the kicking knee as high as possible. With all three techniques snap, maximum transfer of body weight and complete zanshin. The photograph here of 'correct distancing' (for kihon gyaku zuki) is demonstrated by my late karate teacher Tetsuhiko Asai. A crucial point, in actual application/self-defense, is that "the punch hits the vital point before the stance is landed". This ensures, that in addition to punching snap, that your body weight 'meets and goes through the target like breaking boards'. In the picture shown here, Asai Sensei is using the hikite in the traditional manner (to ensure the impact is "not lessened"). Both versions must be practiced daily to ensure they are natural. However, neither are compatible with modern karate-do, as they are not related to 'winning points'. Needless to say, this is a major different between standard Shotokan and Asai-ha Shotokan-ryu.
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KATA: This week the training of Heian, Junro, Tekki, Kibaken & Senka has dominated my kata-geiko. Applying the fundamental points practiced via oi-zuki, gyaku-zuki and mae-geri has been of prime importance. Also seeking 'softer action' and control of the tanden, in all body shifts, to ensure maximum effect in jissen-kumite/goshin-jutsu. It is worth noting here that "one must visualise the correct timing of impact whilst executing kata". This, as opposed to polishing kata merely for aesthetics, is vital for reinforcing effective martial arts skills.
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KUMITE: Presently we are training Gohon kumite with free-choice ukewaza for example kakuto age uke, teisho yoko uke, kake shuto uke, gedan teisho barai and so forth. The attacks utlized include jodan and chudan oi-zuki; jodan shuto yokomawashi uchi; jodan and chudan gyaku zuki; and chudan mae geri. We are also practicing these techniques in sanchin dachi and shokutsu-dachi countering with close range 'ate-waza' (such as hiza-geri, empi-uchi, atama-uchi etc).
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In addition to karate training we've been doing ample variations of seiken-tate (push ups on the fore fists) and spending long periods of time "relaxing" in kiba-dachi. This has been particularly challenging after all of the work on the Tekki and Kibaken kata. Oh the joys of karate training here in Japan! Done like this in other countries, I am sure you would agree, that probably most karate clubs would be empty. Osu, André.
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© André Bertel, Japan 2010.

Friday 18 June 2010

Visit to Yusentei Garden in Fukuoka

Mizuho and I were once again kindly invited to stay at Gen and Momoka’s house in Fukuoka. Momoka is Mizuho’s best friend and I really value Gen’s friendship also. They are an awesome couple, and as always, we had a wonderful time hanging out with them. In the evening we watched Japan’s unexpected win over Cameroon in the FIFA World Cup. Needless to say we enjoyed some “thirst quenching beverages” and a delicious meal fastidiously prepared by Momoka. The next morning they took us to the gorgeous Yusentei Garden. Breathtaking is the only word which comes to mind.
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Rather than write in my own text, here is an official description of the Yusentei gardens and villa, from the Fukuoka-prefectural government. “Yusentei villa was originally built in in 1754 by Tsugutaka Kuroda, the sixth feudal (Samurai) lord of the Kuroda Clan. In 1980 Fukuoka City rebuilt this graceful villa as a circuit style landscape garden. Ultimately in 1998, this park was officially declared a ‘Scenic Beauty of Fukuoka City’. It is a discreet beauty of today from years bygone.”
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I’d like to thank Gen for the excellent photos, some of which are featured here. He is an excellent photographer, so you will easily be able to tell which photos he took (especially if you click on the pictures). Ironically Gen’s aunt is married to Kaicho Tadashi Nakamura, the founder of Seido Karate based in New York. And more ironically, Seido has a major branch in central Christchurch City, New Zealand, which is my hometown. This club is directed by Shihan Renzie Hanham (8th Dan). A great karateka and fantastic person, whom I deeply respect. What a small world!
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Gen and Momoka it is a great privilege to be friends you both. Mizuho and I really love you guys, and look forward to seeing you again soon. Domo arigato gozaimashita for another fantastic time in Fukuoka.
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© André Bertel, Japan 2010.

Friday 11 June 2010

More video footage from my Asai-ha Shotokan-ryu clinics in Europe

A second video of me teaching Asai-ha Shototokan-ryu Karate (in Germany) has been uploaded onto the internet.
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Once again I'd like to thank Oliver Schomburg for kindly providing this footage. Domo arigato gozaimasu Oliver! I'd also like to thank Stefan Scharnweber Sensei (5th Dan) for hosting me to instruct at his dojo, which is based in central Hamburg. Stefan is an excellent karateka and great guy, as a result he has a really nice group of people practicing at his club! A big thanks and wishes to you all from Oita City, Japan. Osu, André.
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Click on the following link to watch the latest video:
http://www.youtube.com/watch?v=oBHfwT0n8I8

Also if you haven't seen the first Asai-ha Shotokan-ryu Karate video in Germany you can click here: http://www.youtube.com/watch?v=3LW-UgZECcY&feature=related

And for the Asai Karate seminar video in Italy, click here: http://www.youtube.com/watch?v=hjWjasrt2qw&feature=related

© André Bertel, Japan 2010.

Tuesday 1 June 2010

Focusing on what really matters

I am deeply thankful that my late teacher Shuseki Shihan Tetsuhiko Asai many times advised me on "How to teach karate correctly". And probably the biggest point that he emphasized when instructing others, was 'focusing on what really matters'.
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Asai Sensei didn't mind if you did things a little differently, as long as it didn't 'interfere too much' with the application he wanted to teach you. Probably needless to say, this is 'very unique amongst traditional Japanese karate instructors of his generation', (who often get fixated on correcting the most irrelevant details, typically seeking "the look" they prefer). And now, more problematically, merely to "win the gold medal".
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As a result, Sensei could teach many variations of techniques and kata as his focus was on the practical application of karate movements, as opposed to merely appearing sharp, or looking a certain way to win shiny plastic cups. This is something I have always assimilated as an instructor. Of course precise form still matters, but this, more than often goes overboard, especially within Shotokan circles. Beyond shodan (first degree black belt) form must not swallow up the effectiveness of karate itself (as a practical martial art of self-defense).
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I'd like to conclude by saying that I am by no means claiming "form is not important", of course it is! Sure, we must constantly seek to move more efficiently, and more precisely. However, this should not cause karate instructors, and more experienced practitioners in general, to become so consumed by precision that, in actuality, effectiveness is low-priority within ones training agenda. Whether training or teaching others, first and fore mostly, "focus on what really matters", then everything else will fall into place.
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Best regards from Oita, Japan. - André

© André Bertel, Japan 2010.